Wednesday, 27 October 2010

Cinegraph

Nosferatu - Idioteque.

An interesting piece of film from the 1920's

Nosferatu the Vampyre is a 1979 West German vampire horror film written and directed by Werner Herzog. Its original German title is Nosferatu: Phantom der Nacht ("Nosferatu: Phantom of the Night"). The film is set primarily in 19th century Wismar, Germany and Transylvania, Romania, and was conceived as a stylistic remake of the 1922 German Dracula adaptation, Nosferatu, eine Symphonie des Grauens. It stars Klaus Kinski as Count Dracula, Isabelle Adjani as Lucy Harker, Bruno Ganz as Jonathan Harker and French artist-writer Roland Topor as Renfield.


For me it displays an excellent use of light and camera angles. The music in this particular one gives the film more meaning and sets the setting of the scary atmosphere. You could also say that the sound track takes away from the original silent film. 

Dracula (1931) Trailer

Dracula is an 1897 novel by Irish author Bram Stoker, featuring as its primary antagonist the vampire Count Dracula. It was first published as a hardcover in 1897 by Archibald Constable and Co




It is called Bran Castle,and it used to be one of Prince Vlad Tepes'temporary residences.

Bran Castle

I have been to Bran Castle in Romania and it wasn't that exciting!


Opening credits of ''The Pacific''





Band of Brothers



German Expressionism

I came across the album cover for Sunshine Underground, Nobody’s coming to save you. It put me in mind of the Metropolis film release poster. It was interesting more because of the strong use of vertical and horizontal lines that leads the eye upwards.

Metropolis is a 1927 German expressionist film in the science-fiction genre directed by Fritz Lang. Produced in Germany during a stable period of the Weimar Republic, Metropolis is set in a futuristic urban dystopia and makes use of this context to explore the social crisis between workers and owners in capitalism.

 Metrotpolis Video
 

German expressionism


I came across the album cover for Sunshine Underground, Nobody’s coming to save you. It put me in mind of the Metropolis film release poster. It was interesting more because of the strong use of vertical and horizontal lines that leads the eye upwards.



Metropolis is a 1927 German expressionist film in the science fiction genre directed by Fritz Lang. Produced in Germany during a stable period of the Weimar Republic, Metropolis is set in a futuristic urban dystopia and makes use of this context to explore the social crisis between workers and owners in capitalism.

Tuesday, 26 October 2010

Album Covers

A few interesting album covers.


Very much of a German Expressionism design. It's like the theatrical release poster for the Metropolis film.

 like the use of colour


The posiac like face and mixture of colours adds a create element more so than a photograph.


Like the use of glass see through idea






Advertisements

Mary the Cow! Official Müller Corner Ad

The idea of taking something out of an environment e.g. the cow and putting it in an environment (the beach) which you won't normally associate with cows was very gook. It made the advert stand out and the sound track " cant stop this feeeling" just intensifies the whole advert.



Mary gives us natural dairy goodness. So we made her dream come true and gave her a beach to gallop on. Go on girl, gallop.

St John Ambulance
BBH commissioned Nadav Kander to create the photographs for this new campaign for St John Ambulance, the charity's first major campaign for 15 years.


I came across these interesting images used for St John Ambulance campaign in The Creative Review Photography Annual 2010. The portraits really stand out because you would think that the faces are sleeping when actually the text explains that they are dead.

The campaign emphasises the importance of everyone attaining basic first aid skills, by citing examples where they could save a life.



As part of the campaign, St John Ambulance has created an iPhone App that gives potentially life-saving advice. A free pocket-sized guide featuring first aid skills can also be downloaded from sja.org.uk.

HP Printer commercial






Amnesty's guerrila campaign makes the invisible visible

No, you're not hallucinating. This eerie glowing face peering out from street railings in central London is, in fact, a new Amnesty International campaign entitled, Making The Invisible Visible....


The campaign is the fruit of a collaboration between London agency Brothers and Sisters' creative team Lisa Jelliffe and Kirsten Rutherford (the duo behind the StreetMuseum iPhone app for The Museum of London) and Berlin-based street art collective, Mentalgassi.
The point of the campaign is to raise awareness of Amnesty's work seeking justice for unfairly treated or imprisoned people around the world, and in particular, of the plight of Troy Anthony Davis (it's his face peering out from the installations), a 42 year old man who has spent the last 19 years on death row in the US state of Georgia for a murder he has always said he did not commit. Amnesty International maintain that no physical evidence links Davis to the crime and seven out of nine witnesses on whose evidence he was convicted in 1991 have since changed or retracted their testimony, some citing police coercion. Despite the doubts surrounding his guilt, he still faces execution.

The image is, of course, made up of strips stuck to the side face of square tube railings - meaning the image isn't visible when you look at the railings head on, but only when you see the railings from a side view - as you're walking towards them.
"The surprising use of faces on fence railings reminded us of prison bars which seemed like a unique way to highlight Amnesty's work," says Jelliffe of the campaign.
For those in London wanting to check out the installations in the flesh, there are two on railings along Great Pulteney Street in Soho, and another outside 5 Berners Street, just north of bustling Oxford Street.

A plaque on each site alerts passers-by to an Amnesty website – amnesty.org.uk/fence – where they can sign a petition calling for justice for Davis.




Troy Davis: Making the invisible visible from Amnesty International on Vimeo.

Photography

Some photo's which I took of an old ancestral home. Was very interesting because most of the content is still lying there. It has become clear that the person living there must have walked out and shut the door.




What really fascinated me was the bulk of old newspapers and magazines. Some of the newspapers were from 1952. It was interesting to flick through them not only for the historical reference but also for the old advertisements of the the time.

The texture of the newspapers are so very different from the newspapers of today. The paper quality and ink print seemed to be better. The layout is more or less the same and the quantity of colour used in the print was less, mostly the advertisements had colour or the front page.


This photo is of the man who was the last person to live in this particular house. He left behind a wealth of old items such as the newspapers and magazines as well as everyday items of his time! I also managed to get the census records for the people who occupied the house in 1901 & 1911.



Graffiti pictures taken around the town!
Street art or not?






Headstone rubbings



Gravestones

Looking at the type but also came across the reflections on the stones.


Christogram?

When I was taking photographs of the headstones I noticed some carvings which seemed strange to me. I hadn’t seen them before on any stones but I was curious to know what they meant.

The First IHS







  
Western Christianity
In the Latin-speaking Christianity of medieval Western Europe (and so among Catholics and many Protestants today), the most common Christogram is "IHS" or "IHC", denoting the first three letters of the Greek name of Jesus, iota-eta-sigma, or ΙΗΣ. The Greek letter iota is represented by I, and the eta by H, while the Greek letter sigma is either in its lunate form, represented by C, or its final form, represented by S. Because the Latin-alphabet letters I and J were not systematically distinguished until the 17th century, "JHS" and "JHC" are equivalent to "IHS" and "IHC".

"IHS" is sometimes interpreted as meaning Iesus Hominum Salvator ("Jesus, Savior of men" in Latin) or connected with In Hoc Signo. Such interpretations are known as backronyms.  







Uncle Sam

Took this picture by mistake but it puts me in mind of the uncle sam posters!



Steve Pyke
Steve Pyke an English photographer was drawn to explore the human face and his portaits record every texture, wrinkle, hair and blemish. They also capture something unique to that individual: their story. The human face signals our emotions and suggests our cultural background

Paolo Pellegrin

Italian photojournalist Paolo Pellegrin reportage lies within the humanistic tradition established by Henri Cartier-Bresson and Robert Capa. Although he uses digital equipment, his images have the same classic black and white appearance as their earlier generation of photojournalists 

David Creedon

An Irishman David Creedon, uses the documentary genre (Ghosts of the Faithful Departed) to give a window on the past. 'I wanted to investigate not only an individual family's history but the story of a generation' he says. The project consists of images of a number of derelict houses in rural Ireland; theyy were abandoned as a consequence of the large -scale emigration during the economic depression of the 1950's & 60's. 

This theme is simular to my images of the abandoned house at the Oldtown. 

Sebastiao Salgado/Mali


“It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.”


Paul Strand quotes (American Photographer, 1890-1976)


Selim Gunes / photographer

“Simply look with perceptive eyes at the world about you, and trust to your own reactions and convictions. Ask yourself: "Does this subject move me to feel, think and dream? Can I visualize a print - my own personal statement of what I feel and want to convey - from the subject before me?”


Ansel Adams quotes

Muammer Yanmaz


“Photography for me is not looking, it's feeling. If you can't feel what you're looking at, then you're never going to get others to feel anything when they look at your pictures.”


Don McCullin


Pictures taken at Dunlewy





Original pictures taken.







I combined pictures which I had taken and combined them with the letters wrote. The image reflect the content of the letters where the person showed a stillness in life and faith. The Pictures were taken at Dunlewy and Dunree fort.
Using photoshop I combined old hand writen letters with the photograph.
Picture taken that could be incorporated into a video. Taken from Errigal Mountain Co Donegal Nov 2010





Reflections

Photographs which I have taken keeping within the theme of reflection.









Pictures taken